The plot, about a band of men and one young woman in Victorian England who embark on an experiment to resurrect Queen Tera, a powerful Egyptian queen with otherworldly powers, is incoherent and at times painfully slow. But Stoker is a master of atmosphere, and his writings always have a fascinating obsession with the supernatural and the tensions between technology and superstition, religion and paganism, or as he describes it in the novel, "Powers, old and new". Despite its stagy nature, its two-dimensional characters, and its stiff dialogue, the story is compelling and has a doom-laden, eerie atmosphere, which culminates in an unforgettable and harrowing finale that was so upsetting to readers and critics upon its initial publication in 1903, that Stoker revised the novel for the 1912 edition, replacing the original finale with a nonsensical and impotent "happy ending".
The novel is now mostly remembered for its meticulous attention to detail in the sections dealing with Egyptology, its original central premise, and its harrowing ending. But it's not an easy read, as it features some of Stoker's most cluttered prose, and many chapters are repetitive and overlong. But for patient readers who like Victorian Gothic fiction and are interested in its development, it is worth the effort.
P.S. Most available editions are of the 1912 version, which should be avoided at all costs.
Text © Ahmed Khalifa. 2020.
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Ahmed Khalifa is a filmmaker and novelist. He is the writer/director of the feature film Wingrave, released on Netflix, and the author of a number of novels and short stories, including the YA horror novel, Beware The Stranger, available on Amazon. Find him on Twitter @AFKhalifa and on Facebook @Dark.Fantastic.AK·Writer
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