Saturday, November 26, 2022

Discovering The Thing From Another World. The True Sequel To John Carpenter's Classic.

Although John Carpenter's The Thing (1982) wasn’t a critical or box-office success, when it first came out in 1982, over the decades, it has become a cult favorite, and has received reappraisal by mainstream critics.

With its foreboding tone, startling and stylish visuals, deliberate pacing, and terrifying special effects, The Thing, is now considered John Carpenter’s greatest film.

With its belated success on cable and home video, there has been talk of producing a sequel to The Thing, since the 1990s, including Return of the Thing, a four-hour miniseries, and a direct sequel to the Carpenter movie, for the Sci Fi network. It was to be produced by Frank Darabont, the acclaimed director of The Shawshank Redemption, and The Mist, and written by David Leslie Johnson McGoldrick, of The Conjuring franchise.

But the project was shelved, partly due to budget concerns, and Universal Pictures decided to go for a big screen feature, unimaginatively called The Thing, a 2011 prequel set at the Norwegian camp featured in John Carpenter’s original.

But before that, a sequel was made, taking place mere hours after the events of Carpenter’s film.

The Thing From Another World, written by Chuck Pfarrer, was released by Dark Horse Comics, and is, arguably, the only true sequel to John Carpenter’s The Thing.

The graphic novel begins after the destruction of the U.S. Outpost 31, where the events of the film took place, by the shape-shifting extraterrestrial creature.

The only survivors are MacReady and Childs. MacReady is found and picked up by the crew of a Japanese whaling ship, and is held captive after a hysterical outburst. But soon after, he escapes, and tries to find out whether he is human, or just another version of the thing.

Pfarrer, a self-avowed student of Carpenter’s original film, writes a tense story in a hard-boiled, straightforward style, that propels the reader headlong into a series of set-pieces that never let up. He also ingeniously gets around the problem of dealing with the ending of Carpenter’s original, which basically painted the story into a corner.

In the novel, Pfarrer slowly reveals what happened to MacReady and Childs, and introduces a new complication that could have apocalyptic consequences.

The Thing From Another World is a dream come true for fans of Carpenter’s original. It picks up right after the events of the film, the characters remain true to their portrayals in the original, and Pfarrer's tone and style capture, to a large extent, the mood of the original.

The only caveat is that the headlong pace and grim tone, leave little room for character development, as this is pure story, with no real revelations about the main players. But this too, it could be argued, follows Carpenter’s original approach, which stuck to basic survival psychology, rather than delve deep into the minds of its characters.

With great artwork by John B. Higgins, The Thing From Another World is a treat for fans of the original, and it serves as a worthy sequel to Carpenter’s film.

Carpenter himself has endorsed the graphic novel on many occasions, to the extent that, according to him, if he ever got a chance to make a sequel to The Thing, he would closely follow Pfarrer's story.

Text © Ahmed Khalifa. 2022.

Ahmed Khalifa is a filmmaker and novelist. He is the writer/director of several short films and a feature, which was released on Netflix, and the author of a number of novels and short stories, including the YA horror novel, Beware The Stranger, available on Amazon. He is also the host of The Dark Fantastic Podcast. Find him on Twitter @AFKhalifa and on Facebook @DFantasticPodcast

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Sunday, November 20, 2022

Book Review: BATMAN: MADE OF WOOD (2003) By Ed Brubaker and Patrick Zircher *** and a 1\2 out of *****

(c) DC.
Released in 2003 by DC Comics as Detective Comics number 784 to 786, Made of Wood is one of the most underrated Batman storylines of recent years.

Building upon the revelation in Post-Crisis DC Comics continuity, that Alan Scott’s Green Lantern was Gotham City’s protector in the 1940’s, veteran comic book writer Ed Brubaker creates a layered, deeply nostalgic, yet hard-hitting storyline about a vicious enemy from Green Lantern’s past, who seems to be brutally killing a select number of people for a reason known only to him. On the victim’s chests he carves the words, “Made of Wood”.

Batman, with the help of retired police commissioner Gordon, tries to solve the case, but it is soon obvious that without the help of Green Lantern\Alan Scott, the killing will continue.

So Batman and Green Lantern have to team up to hunt down the elusive killer, and, in the process, unearthing a forgotten dark episode from Alan Scott’s past.

Brubaker writes in his usual hard-boiled style, but with an added retro twist that gives the tale a winning 1940’s bent.

Brubaker’s stellar writing aside, Patrick Zircher’s gorgeous artwork also deserves a lot of the praise, as his style here is a loving tribute to artists from the 1940’s, with rich designs, shadowy backgrounds, and art-deco architecture, making Batman: Made of Wood a visual feast.

Near forgotten, and undeservedly so, Batman: Made of Wood is captivating, fun, and ultimately moving, and a worthy read for fans of Batman, Green Lantern, Noir, or just good, old storytelling.

Note: the storyline is collected in the Batman: The Man Who Laughs paperback.

Text © Ahmed Khalifa. 2022.

Ahmed Khalifa is a filmmaker and novelist. He is the writer/director of several short films and a feature, which was released on Netflix, and the author of a number of novels and short stories, including the YA horror novel, Beware The Stranger, available on Amazon. He is also the host of The Dark Fantastic Podcast. Find him on Twitter @AFKhalifa and on Facebook @DFantasticPodcast


Thursday, November 17, 2022

Film Review: LOOKING FOR MR. GOODBAR (1977) ** and a 1\2 out of *****

 
(C) Paramount.
Released to much critical acclaim and box-office success, Looking For Mr. Goodbar (1977) encapsulates everything that was wrong with the excesses of 1970's cinema. Adapted from the controversial novel of the same name, Looking For Mr. Goodbar tells the story of Theresa, a young schoolteacher in 1970's San Francisco, who rebels against her strict Catholic upbringing by slowly descending into a life of casual sex, drugs, and bohemianism.

Richard Brooks, who adapted the novel for the screen, directs with a grimy, uncontrolled style, delivering a film that is morally and psychologically shallow, shrill, and borderline repugnant. Exploitive to the core, every minority under the sun is portrayed as either a victim or unstable, and Brooks' attempt at being "hip", by drowning the film in disco tunes and jump cuts, made the film look dated as soon as it was released.

Much has been said about Diane Keaton's performance as Theresa, the sexually adventurous/aggressive protagonist, and it is true that Keaton delivers a mesmerizing performance, but it is also a smug one, and a portrayal that doesn't wholly gel with the writing, producing a character that is equal parts unlikable and tragic. A young Richard Gere as a hyperactive gigolo, and Tom Berenger as a troubled and sexually confused ex-con, are the true scene-stealers in the film.

The epitome of 1970's "socially-conscious" dramas, this is a dated and unredeeming descent into nihilism and ugliness that is not deserving of its praise. Maybe that's the reason why the film has been so hard to find for many decades.

Text © Ahmed Khalifa. 2022.

Ahmed Khalifa is a filmmaker and novelist. He is the writer/director of several short films and a feature, which was released on Netflix, and the author of a number of novels and short stories, including the YA horror novel, Beware The Stranger, available on Amazon. He is also the host of The Dark Fantastic Podcast. Find him on Twitter @AFKhalifa and on Facebook @DFantasticPodcast

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Sunday, November 13, 2022

Book Review: THE POE SHADOW by Matthew Pearl **** OUT OF *****

(c) Random House.
Whether you are into Poe or not, this novel is nothing short of astounding. After burning through it as quickly as I could (which I ultimately regretted doing, since I was so sad when it was over) because it was so compelling and entertaining, I had to sit back and admire how much Pearl has achieved with this book.

Not only has he attempted to solve the mystery of Edgar Allan Poe's death (a mystery which has proven insolvable for over a century) by using clues and evidence that he has gathered through painstaking research, but he has also written one of the best historical novels of all time.

This is a compelling, brilliantly written, meticulously plotted novel that people will continue to talk and argue about for years to come. And as a bonus, it's also one hell of an entertaining ride. Unmissable.

Text © Ahmed Khalifa. 2008 - 2022.

Ahmed Khalifa is a filmmaker and novelist. He is the writer/director of several short films and a feature, which was released on Netflix, and the author of a number of novels and short stories, including the YA horror novel, Beware The Stranger, available on Amazon. He is also the host of The Dark Fantastic Podcast. Find him on Twitter @AFKhalifa and on Facebook @DFantasticPodcast

Friday, November 11, 2022

Film Review: ROB ZOMBIE'S HALLOWEEN II (2009) *** and a 1\2 out of *****

(c) Dimension
While Rob Zombie's remake of John Carpenter's original was a fierce and stylish film, Zombie's second time out is, well, something else entirely. With Halloween (2007), Zombie proved he could deliver one helluva an entertaining and scary film, and he managed to add enough new touches to the story to make it feel fresh and updated. But the fact remained that Halloween was, more or less, indebted to Carpenter's vision, and followed the same story, yet with what you might call revisions. What Zombie achieves with Halloween II is to make a film that's entirely his own, taking the Michael Myers mythos in a completely new direction, which is, for better or for worse, startlingly original.

The Plot: After barely surviving her battle with her brother, mass murderer Michael Myers, Laurie Strode tries to go on with her life. But her mind has been deeply scarred by her experiences, and after seeing visions of a still living Myers roaming about, continuing his killing spree, she begins to doubt her sanity. Meanwhile, Michael Myers, whose body was never found, turns out to be alive, and as he is haunted by visions of his dead mother and his younger self urging him to finish his work and "go home", he embarks on a journey back to Haddonfield and his sister, Laurie, whom he intends to kill in order for them all to be united in death as a family.

As the synopsis shows, Zombie takes the story in a bizarre direction, turning Laurie and Michael's tale into a twisted psychological drama, with hallucinatory visions and revelations that add an arguably supernatural bent to the story. But, in truth, one is never completely sure what Zombie is trying to do or say with this film, as the plot is confused, confusing and occasionally repetitive, and the tone of the film is unrelentingly grim.

But despite all that, Zombie succeeds in creating a stylish, visually lush, and narratively adventurous film that is unlike anything that has come before it in the long-running series. And the downbeat and disturbing ending packs a wallop and brings the story to a somewhat satisfying close.

Text © Ahmed Khalifa. 2022.

Ahmed Khalifa is a filmmaker and novelist. He is the writer/director of several short films and a feature, which was released on Netflix, and the author of a number of novels and short stories, including the YA horror novel, Beware The Stranger, available on Amazon. He is also the host of The Dark Fantastic Podcast. Find him on Twitter @AFKhalifa and on Facebook @DFantasticPodcast

Film review: ROB ZOMBIE'S HALLOWEEN (2007) *** out of *****

(c) Dimension

Rob Zombie's remake of John Carpenter's classic slasher film, is a strange beast. It tries to distance itself from the original's aesthetics, yet generously borrows from that film's plot devices, especially in the third act. Add to that a mediocre first act, a trashy second, and liberal doses of gratuitous violence and nudity, and you get a mostly uneven film.

That is, until the climax.

Zombie takes the ending of the original, combines it with a plot element from the sequel to Carpenter's original (also penned by Carpenter), and delivers a whopper of an ending.

Also, Zombie's take on Sam Loomis' character (the Van Helsing-type character that was Michael Myers' psychiatrist and, later, the one who hunts him down) is interesting and inventive, and is bolstered by Michael McDowell's charismatic portrayal of the character.

So, is it better or worse than the original? The answer is: it is a stylish, effective, shocking addition to the Michael Myers mythos, and it's way better than most of the sequels to the original.

Text © Ahmed Khalifa. 2022.

Ahmed Khalifa is a filmmaker and novelist. He is the writer/director of several short films and a feature, which was released on Netflix, and the author of a number of novels and short stories, including the YA horror novel, Beware The Stranger, available on Amazon. He is also the host of The Dark Fantastic Podcast. Find him on Twitter @AFKhalifa and on Facebook @DFantasticPodcast