Showing posts with label comic books. Show all posts
Showing posts with label comic books. Show all posts

Saturday, November 26, 2022

Discovering The Thing From Another World. The True Sequel To John Carpenter's Classic.

Although John Carpenter's The Thing (1982) wasn’t a critical or box-office success, when it first came out in 1982, over the decades, it has become a cult favorite, and has received reappraisal by mainstream critics.

With its foreboding tone, startling and stylish visuals, deliberate pacing, and terrifying special effects, The Thing, is now considered John Carpenter’s greatest film.

With its belated success on cable and home video, there has been talk of producing a sequel to The Thing, since the 1990s, including Return of the Thing, a four-hour miniseries, and a direct sequel to the Carpenter movie, for the Sci Fi network. It was to be produced by Frank Darabont, the acclaimed director of The Shawshank Redemption, and The Mist, and written by David Leslie Johnson McGoldrick, of The Conjuring franchise.

But the project was shelved, partly due to budget concerns, and Universal Pictures decided to go for a big screen feature, unimaginatively called The Thing, a 2011 prequel set at the Norwegian camp featured in John Carpenter’s original.

But before that, a sequel was made, taking place mere hours after the events of Carpenter’s film.

The Thing From Another World, written by Chuck Pfarrer, was released by Dark Horse Comics, and is, arguably, the only true sequel to John Carpenter’s The Thing.

The graphic novel begins after the destruction of the U.S. Outpost 31, where the events of the film took place, by the shape-shifting extraterrestrial creature.

The only survivors are MacReady and Childs. MacReady is found and picked up by the crew of a Japanese whaling ship, and is held captive after a hysterical outburst. But soon after, he escapes, and tries to find out whether he is human, or just another version of the thing.

Pfarrer, a self-avowed student of Carpenter’s original film, writes a tense story in a hard-boiled, straightforward style, that propels the reader headlong into a series of set-pieces that never let up. He also ingeniously gets around the problem of dealing with the ending of Carpenter’s original, which basically painted the story into a corner.

In the novel, Pfarrer slowly reveals what happened to MacReady and Childs, and introduces a new complication that could have apocalyptic consequences.

The Thing From Another World is a dream come true for fans of Carpenter’s original. It picks up right after the events of the film, the characters remain true to their portrayals in the original, and Pfarrer's tone and style capture, to a large extent, the mood of the original.

The only caveat is that the headlong pace and grim tone, leave little room for character development, as this is pure story, with no real revelations about the main players. But this too, it could be argued, follows Carpenter’s original approach, which stuck to basic survival psychology, rather than delve deep into the minds of its characters.

With great artwork by John B. Higgins, The Thing From Another World is a treat for fans of the original, and it serves as a worthy sequel to Carpenter’s film.

Carpenter himself has endorsed the graphic novel on many occasions, to the extent that, according to him, if he ever got a chance to make a sequel to The Thing, he would closely follow Pfarrer's story.

Text © Ahmed Khalifa. 2022.

Ahmed Khalifa is a filmmaker and novelist. He is the writer/director of several short films and a feature, which was released on Netflix, and the author of a number of novels and short stories, including the YA horror novel, Beware The Stranger, available on Amazon. He is also the host of The Dark Fantastic Podcast. Find him on Twitter @AFKhalifa and on Facebook @DFantasticPodcast

Listen to/Watch the video version of this article here:




Sunday, November 20, 2022

Book Review: BATMAN: MADE OF WOOD (2003) By Ed Brubaker and Patrick Zircher *** and a 1\2 out of *****

(c) DC.
Released in 2003 by DC Comics as Detective Comics number 784 to 786, Made of Wood is one of the most underrated Batman storylines of recent years.

Building upon the revelation in Post-Crisis DC Comics continuity, that Alan Scott’s Green Lantern was Gotham City’s protector in the 1940’s, veteran comic book writer Ed Brubaker creates a layered, deeply nostalgic, yet hard-hitting storyline about a vicious enemy from Green Lantern’s past, who seems to be brutally killing a select number of people for a reason known only to him. On the victim’s chests he carves the words, “Made of Wood”.

Batman, with the help of retired police commissioner Gordon, tries to solve the case, but it is soon obvious that without the help of Green Lantern\Alan Scott, the killing will continue.

So Batman and Green Lantern have to team up to hunt down the elusive killer, and, in the process, unearthing a forgotten dark episode from Alan Scott’s past.

Brubaker writes in his usual hard-boiled style, but with an added retro twist that gives the tale a winning 1940’s bent.

Brubaker’s stellar writing aside, Patrick Zircher’s gorgeous artwork also deserves a lot of the praise, as his style here is a loving tribute to artists from the 1940’s, with rich designs, shadowy backgrounds, and art-deco architecture, making Batman: Made of Wood a visual feast.

Near forgotten, and undeservedly so, Batman: Made of Wood is captivating, fun, and ultimately moving, and a worthy read for fans of Batman, Green Lantern, Noir, or just good, old storytelling.

Note: the storyline is collected in the Batman: The Man Who Laughs paperback.

Text © Ahmed Khalifa. 2022.

Ahmed Khalifa is a filmmaker and novelist. He is the writer/director of several short films and a feature, which was released on Netflix, and the author of a number of novels and short stories, including the YA horror novel, Beware The Stranger, available on Amazon. He is also the host of The Dark Fantastic Podcast. Find him on Twitter @AFKhalifa and on Facebook @DFantasticPodcast


Friday, April 15, 2022

Book Review: HELLTOWN by Dennis O'Neil: *** and a 1\2 out of *****

Listen to the review:
Listen to "Book Review: HELLTOWN by Dennis O'Neil" on Spreaker.

Part of the DC Universe line of novels that came out a few years ago, Helltown focuses on the origin story of one of DC Comics' lesser known but most intriguing characters, The Question. But that's not all this book is about. No. This is a damn fine novel that combines action, pop philosophy, atmosphere and strong, smooth writing to produce something truly enjoyable.


The story: Vic Sage returns to his hometown, Hub City, in search of his parents' identity (he was brought up in an orphanage), to discover that it has become a cesspool of violence and hatred run by criminals and corrupt politicians. Soon after his arrival he attracts the attention of the mayor and his thugs, which leads to him being beaten almost to death and rescued by a mysterious warrior who calls herself Shiva. He is then taken to an enigmatic mentor named Richard Dragon, who, at the request of Shiva, begins to transform Sage into a warrior. But Sage feels that something is missing in his life, questions that need to be answered. So he decides to return to Hub City, and, as a vigilante named The Question, find those answers, no matter what the cost.

The Question, as envisioned by veteran comic book writer Dennis O'Neil, is a complex, enigmatic character, that is both unique and reminiscent of the greatest characters to ever grace the pages of comic books. He is a conflicted character on a dark quest, an intriguing, norish hero. But what truly sets him apart are his flaws, his humanity, and his background. Here is a character that's neither rich nor formally educated, has no sidekicks or friends, no gadgets other than his costume and mask (that change color at will). He is human, has no superpowers, and isn't really a great detective. But that's what makes him interesting. O'Neil, who also penned the ground-breaking comic book series about The Question back in the Eighties, has a masterful command of the complex nature of the character and his inner struggles. He also anchors the story in reality, giving the book a gritty, somewhat bleak feel, which suit the character and his quest. And despite the appearance of Batman, who plays a major role in the story, he doesn't overshadow Vic Sage/The Question, which is a testament to O'Neil's strong writing.

Although the main villains of the book are borderline caricatures and the main mystery is so slight it's almost a McGuffin, this is a multi-layered, well-written, compelling book that is a must for fans of DC Comics, comic books, and mysteries. An overlooked gem

Text © Ahmed Khalifa. 2011- 2022.

Ahmed Khalifa is a filmmaker and novelist. He is the writer/director of several short films and a feature, which was released on Netflix, and the author of a number of novels and short stories, including the YA horror novel, Beware The Stranger, available on Amazon. He is also the host of The Dark Fantastic Podcast. Find him on Twitter @AFKhalifa and on Facebook @Dark.Fantastic.AK·Writer

Monday, October 26, 2020

Review: Fright Night: The Complete "Now" Comic Books (1988-1990)

The NOW Comics adaptation and continuation of the fan favorite Fright Night (1985) movie (written and directed by Tom Holland), which ran from 1988 till 1990, starts off with a bang, with a two-issue adaptation of the original movie, written by Joe Gentile, that manages to capture the spirit and humor of the film and offer enough fresh touches to make it enjoyable for even the most hardcore fans.

The comics then move on to what would become a staple of the series: a number of stand-alone stories of varying mileage, starting with issue#3, The Dead Remember, a fun and atmospheric tale, pitting Charley Brewster and Peter Vincent against a horde of blood/brain-sucking bats from another dimension.

After two underwhelming issues that bear little resemblance to the tone of the original movie, the series gets back on track with issue#6, The Legion of Endless Night, introducing the formidable vampire legion of the title, and which will become the main villain throughout the series. This issue and its sequel, issue#7, are a joy to read, taking our heroes through a fast-paced adventure packed with plenty of vampire action.

Next, the series re-introduces fan favorite Evil Ed in issues#8 and #9, The Revenge of Evil Ed, who is revealed to be alive (undead?!) and well, and out for revenge against Charley and Peter. These two issues are fun, if not very inventive, and by now the problems with the series start to show, chief among them the overly humorous tone and occasionally silly plotting, as the intended audience seems to be within the PG-13 range, with the writing lacking the wit, warmth, and menace of the original movies. The writers involved, including Tony Caputo,  Katherine Llewellyn, and James Van Hise, don't seem to be too interested in capturing the essence of the characters and the delicately balanced tone of the original movie. Instead, we are introduced to a number of forgettable side characters, including a truly forgettable new love interest for Charley.

The cracks really start to show with the next four issues, a series of lame and truly jarring stories that try to stretch the range of the series in all the wrong ways (monsters out of Greek mythology in issue#12 and a child serial killer in issue#13???). The series then recovers a little bit with the amusing two-parter The Resurrection of Dracula (issues# 14 and 15).

Then comes the final stretch of books, with the final seven issues focusing on the resurrection of Jerry Dandridge, starting with issue#16, Potion Motion. But, sadly, the plot is mishandled by the writers, with the resurrected Dandridge barely resembling the much beloved villain as portrayed by Chris Sarandon in the original movie, and the series ends with a clumsy and forgettable finale in issue#22, Reign of Terror.

The NOW Comics adaptation of Fright Night has its fans, but it also has its detractors, and reading the entire run of the series, it's easy to see why. The characters from the original movie aren't handled with care for the most part; the humor is occasionally off-key; and the quality of the stories varies dramatically from issue to issue. But the art is always good, and some of the charm of the original movie and its characters rubs off on the series, providing a number of issues that are worth the fans' time. But Fright Night, one of the greatest horror movies to come out of the 1980s, deserved better than this.

Text © Ahmed Khalifa. 2020.

Ahmed Khalifa is a filmmaker and novelist. He is the writer/director of the feature film Wingrave, released on Netflix, and the author of a number of novels and short stories, including the YA horror novel, Beware The Stranger, available on Amazon. Find him on Twitter @AFKhalifa and on Facebook @Dark.Fantastic.AK·Writer.

Tuesday, April 21, 2020

Book Review: ENEMIES AND ALLIES By Kevin J. Anderson *** and a 1\2 out of *****

Enemies and Allies, Kevin J. Anderson's second novel for DC, after the superbly entertaining The Last Days of Krypton, is a clever, serious story about Batman and Superman's first encounter in 1956.

Taking his cue from the works of Frank Miller and Jeph Loeb, both of whom are thanked in the preface, Anderson creates a tale infused with a paranoid, Cold War feel, with the threat of nuclear annihilation looming over the characters. Anderson's depictions of characters, from Superman, to Batman, to Lois Lane, to Jimmy Olsen, are well-crafted and endearing, and the dialogue always rings true. But the main villain, Lex Luthor, comes off as one-dimensional and somewhat cartoonish, which might have to do with his over-the-top plan for world domination. Which brings me to the main fault of the book. Although Anderson brings a depth and a weight to the historical and technical aspects of the story, they don't gel with the Sci-Fi elements, which feel cliched and underdeveloped. This makes the book uneven in tone, as the broad, "Golden Age" comic book aspects seem in constant battle with the solemn tone that Anderson chooses to tell his tale, making Enemies and Allies less fun than it should be.

But fans of Batman and Superman will find a lot to enjoy here, as both heroes are treated with love and care, and Anderson's short chapters make this a fast page-turner, and a good if not very memorable addition to the DC cannon.

Text © Ahmed Khalifa. 2020.

Ahmed Khalifa is a filmmaker and novelist. He is the writer/director of the feature film Wingrave, released on Netflix, and the author of a number of novels and short stories, including the YA horror novel, Beware The Stranger, available on Amazon.

Wednesday, November 16, 2016

Book Review: SUPERMAN by Larry Tye

A love letter to all things Superman, Superman by Larry Tye is essential reading for fans of the character, DC, and comic books. Covering everything from the creation of the character, to the lives of its creators (which is quite a tale in itself), to the evolution of the comic books across 70 years of publishing, to the radio shows and numerous TV shows and movies based on the character, and with tons of quotes from almost every person who's had a hand in shaping or interpreting the character, this is a must read, and one of the best books ever written about comic books and their impact.

Text © Ahmed Khalifa. 2016.

Quick Review: SUPERMAN IV: THE QUEST FOR PEACE (1987)

Well-intentioned but bland and poorly made Superman movie, with unremarkable performances, a weak plot, and lackluster special effects. It had a notoriously troubled production, and it shows. A sad end to a a groundbreaking franchise.

Text © Ahmed Khalifa. 2016.

Tuesday, November 15, 2016

Quick Review: SUPERMAN III (1983)

Uneven, bizarrely incoherent movie, which treats the material with annoying irreverence. Director Richard Lester seems more interested in campy humor and over-the-top gags than Superman, while Richard Pryor, who accepted the role purely for the money, does his best with sub par material. Only Christopher Reeve's wonderfully earnest performance and a terrific showdown between Clark Kent and Bizarro Superman, save the film from becoming unwatchable.

Text © Ahmed Khalifa. 2016.

Quick Review: SUPERMAN: THE MOVIE (1978)

An immortal classic, Superman (1978) still packs a punch decades after it was released, mainly due to director Richard Donner's meticulous direction and a cast that is pitch perfect. Yes, the effects have aged, and some of the comedic touches don't work. But this is one awe-inspiring, groundbreaking, terrifically entertaining movie for the wide-eyed child in all of us.

* The 35th anniversary edition, with some amazing restored footage, is the one to watch. *

Text © Ahmed Khalifa. 2016.

Quick Review: SUPERMAN RETURNS (2006)

Designed as a sequel/tribute to Richard Donner's 1978 masterpiece, Superman Returns (2006) is a strangely glum movie, with little action, and forgettable performances by all involved. The effects are great, and the climax impressive, but the film's tone and Brandon Routh's subdued performance as the man of steel, combined with Bryan Singer's conventional direction, make this a surprisingly somber Superman movie that fails on the most important level of all when it comes to a Superman movie: to rouse and entertain. Then again, with his dour handling of X-Men, Singer was never the right choice for this material, since Superman is a character that symbolizes hope and faith in humanity, and Singer is a cynical filmmaker whose interest seems to be in the darker aspects of humanity [The Usual Suspects (1995), Apt Pupil (1998)].

Text © Ahmed Khalifa. 2016.