Showing posts with label 2020. Show all posts
Showing posts with label 2020. Show all posts

Tuesday, December 29, 2020

Book Review: DEVOTED by Dean Koontz *** and a 1\2 out of *****

While no one could argue that Dean Koontz has been more prolific than ever these past ten years, his output has been polarizing, to say the least. There have been some very good books (Odd Apocalypse [2012]), some middling ones (What The Night Knows [2010]), and some terrible ones (The Silent Corner [2017]). Some fans, especially lifelong ones, had even started to think that the Koontz of old (of terrific books like Midnight, Hideaway, and Odd Thomas) was gone, never to return. Then came Devoted (2020), restoring the faith.

Devoted is Koontz energized, impassioned, and focused. Yes, there are still instances of heavy-handed social commentary and sentimentality, and the main characters aren't that memorable, but Koontz hasn't written a book this enjoyable, this readable, this moving, in years. The plot - about an autistic boy and his mother getting entangled with a cabal of assassins, a hyper-intelligent dog, and a seemingly omnipotent killer - isn't that original, and, at times, feels like a greatest hits compilation of Koontz's best novels. But what sets this novel apart, what makes it special, is Koontz's energy. His writing hasn't felt this ebullient in more than a decade. Devoted also features one of his scariest villains in Lee Shacket, and some of the darkest, most violent scenes Koontz has ever written.

Consisting of over a hundred short chapters, this is an addictive read, and a most welcome return of a master. Highly recommended.

Text © Ahmed Khalifa. 2020.

Ahmed Khalifa is a filmmaker and novelist. He is the writer/director of the feature film Wingrave, released on Netflix, and the author of a number of novels and short stories, including the YA horror novel, Beware The Stranger, available on Amazon. Find him on Twitter @AFKhalifa and on Facebook @Dark.Fantastic.AK·Writer

Thursday, December 17, 2020

Book Review: NO EXIT by Taylor Adams *** and a 1\2 out of *****

 

An effective, fast-paced thriller, No Exit by Taylor Adams is a highly readable suspense novel with a likeable heroine and twists aplenty.

The plot: A young woman taking refuge from a snow storm in a rest stop, discovers that one of the four strangers with her is a psychopath who has a seven year old girl trapped in a cage in his car. Author Taylor Adams takes this high concept and runs with it, creating one intense situation after another, building the tension to a fever pitch.

But the novel does have its flaws. Aside from the heroine and the little girl, all the characters are barely memorable, especially the villains, who get less and less believable as the story progresses. But the novel's biggest misstep is the climax, which reads like the finale of a blockbuster Hollywood thriller: contrived and over-the-top, and with a clichéd epilogue.

Faults aside, No Exit is an immensely enjoyable, tense, and energetic thriller, with just enough style to make it memorable.

Text © Ahmed Khalifa. 2020.

Ahmed Khalifa is a filmmaker and novelist. He is the writer/director of the feature film Wingrave, released on Netflix, and the author of a number of novels and short stories, including the YA horror novel, Beware The Stranger, available on Amazon. Find him on Twitter @AFKhalifa and on Facebook @Dark.Fantastic.AK·Writer


Sunday, October 11, 2020

Book Review: THE STRANGE DEATH OF EUROPE: IMMIGRATION, IDENTITY, ISLAM by Douglas Murray. *** out of *****

The Strange Death of Europe: Immigration, Identity, Islam by Douglas Murray has been called many things, including racist, xenophobic, and fascist. What it is, is a book-length study of the European migration crisis that started in 2015 in Germany and continues to this day. It is a book obviously written by someone who is passionate, intelligent, and who genuinely cares about Europe’s future, and, to some extent, about the plight of refugees seeking asylum from war-torn and violence-ravaged nations.

Murray, in meticulous detail, lays out the problems associated with millions of immigrants, most of them Muslim, migrating to Europe after the so-called “Arab Spring”, a series of violent revolutions that has destabilized the majority of the already volatile Middle Eastern and North African nations. Within a few months of these immigrants’ arrival in Germany, Italy, Greece, Norway, and other European countries, incidents of rape of minors, terrorist attacks, and sexual harassment ensued, perpetrated mostly by young male immigrants coming from Muslim nations. So, Murray, like thousands of other Europeans, reached the conclusion that maybe letting in flocks of Muslims into Europe at such a rate had unforeseen consequences, a view in opposition to the majority of European politicians, opinion leaders, and media personalities.

The truth is, Murray is on to something. It is clear that there is something severely wrong with current Islamic culture, which has become, to varying degrees, rigid and defensive. It is also obvious that Muslim communities within Western countries are among the least integrated of all immigrant communities. Murray states these facts clearly and lucidly. But he also dismisses the entire Islamic/Arabic culture, repeatedly claiming that Islam has little to offer, drawing parallels between Islam and Nazism, and calling it “the slowest child in the classroom” when it comes to social liberal ideas. They are troubling thoughts, and the only instances when Murray comes off as a reactionary ethnonationalist.

It is true that Muslim communities have become complacent, and that their citizens and intellectual and religious leaders have done a subpar job of discussing and addressing the myriad concerns about seemingly contradictory ideas within Islam, and the history of the development of the religion. This, in turn, has resulted in a Muslim/Arabic community and culture that have been in intellectual stagnation for more than fifty years, and in which terrorism has blossomed like a poisonous flower. But simply dismissing Islam, a religion followed by almost 2 billion people around the world, as a religion of violence, schism, and ideas antithetical to the enlightenment, is a narrow-minded, problematic, and divisive view. Arabs and Muslims have contributed a lot across history in the fields of science, philosophy, and women’s rights.

Yes, the current Islamic/Arabic culture is terribly flawed. Yes, Muslims around the world need to do a better job of standing up to corruption and violence within their own communities. And yes, Islam is at a dangerous crossroads at the moment. And I agree with Murray that none of those things should be main concerns for Europe, which is going through its own identity crisis at the moment, as Murray details in the book. But adding fuel to the fire by labeling a people and a religion as irredeemable, is simply an untenable intellectual and ethical position, and one which has nothing constructive to offer, to anyone.

Text © Ahmed Khalifa. 2020.

Ahmed Khalifa is a filmmaker and novelist. He is the writer/director of the feature film Wingrave, released on Netflix, and the author of a number of novels and short stories, including the YA horror novel, Beware The Stranger, available on Amazon.